The Man Who Laughs (Estes and Lauriat 1869)
International Limited Edition
THE
MAN WHO LAUGHS
IN TWO VOLUMES
BY VICTOR HUGO
_V_Hugo.jpg)
WITH ILLUSTRATIONS
BOSTON
ESTES AND LAURIAT
PUBLISHERS
PREFACE.
IN England, everything is great, even what is not good,—even Oligarchy. The English Patriciate is the patriciate in the absolute sense of the word. No more illustrious, more terrible, or more vigorous feudality exists. Let us add that this feudality has been useful at times. It is in England that the phenomenon of Seigneurie must be studied, as in France the phenomenon of Royalty must be studied.
The true title of this book should be "Aristocracy." Another book that will follow may, perhaps, be entitled "Monarchy." These two books, if it is given to the author to finish his task, will precede and introduce another, to be called "Ninety-Three."
Hauteville House, 1869.
_v1_Frontis.jpg)
Ursus and Homo.
Photo-Etching.—From Drawing by G. Rochegrosse.
CONTENTS.
Vol. I.
CONTENTS.
Vol. II.
| BOOK III.—The Beginning of the Fissure. | ||
| Chapter | Page | |
| I. | The Tadcaster Inn | 1 |
| II. | Open-air Eloquence | 6 |
| III. | Where the Passer-by reappears | 12 |
| IV. | Contraries fraternize in Hate | 19 |
| V. | The Wapentake | 25 |
| VI. | The Mouse examined by the Cats | 30 |
| VII. | Why should a Gold Piece Lower Itself by mixing with a Heap of Pennies? | 40 |
| VIII. | Symptoms of Poisoning | 48 |
| IX. | Abyssus Abyssum vocat | 53 |
| BOOK IV.—The Cell of Torture. | ||
| I. | The Temptation of Saint Gwynplaine | 63 |
| II. | From Gay to Grave | 72 |
| III. | Lex, Rex, Fex | 80 |
| IV. | Ursus plays the Spy on the Police | 84 |
| V. | A Fearful Place | 90 |
| VI. | The Kind of Magistracy under the Wigs of Former Days | 93 |
| VII. | Shuddering | 98 |
| VIII. | Lamentation | 100 |
| | ||
| BOOK V.—The Sea and Fate are moved by the same Breath. | ||
| I. | The Durability of Fragile Things | 116 |
| II. | The Waif knows its Own Course | 127 |
| III. | An Awakening | 141 |
| IV. | Fascination | 145 |
| V. | We think we remember; we forget | 153 |
| BOOK VI.—Ursus under Different Aspects. | ||
| I. | What the Misanthrope said | 161 |
| II. | What he did | 166 |
| III. | Complications | 180 |
| IV. | Mœnibus Surdis Campana Muta | 184 |
| V. | State Policy deals with Little Matters as well as with Great | 191 |
| BOOK VII.—The Titaness. | ||
| I. | The Awakening | 202 |
| II. | The Resemblance of a Palace to a Wood | 206 |
| III. | Eve | 211 |
| IV. | Satan | 220 |
| V. | They recognize, but do not know, Each Other | 234 |
| BOOK VIII.—The Capitol and Things around it. | ||
| I. | Analysis of Majestic Matters | 238 |
| II. | Impartiality | 254 |
| III. | The Old Hall | 264 |
| IV. | The Old Chamber | 271 |
| V. | Aristocratic Gossip | 278 |
| VI. | The High and the Low | 288 |
| VII. | Storms of Men are Worse than Storms of Oceans | 293 |
| VIII. | He would be a Good Brother, were he not a Good Son | 314 |
| | ||
| BOOK IX.—In Ruins. | ||
| I. | It is through Excess of Greatness that Man reaches Excess of Misery | 320 |
| II. | The Dregs | 325 |
| CONCLUSION.—The Night and the Sea. | ||
| I. | A Wolf may prove a Guardian Angel | 346 |
| II. | Barkilphedro, having aimed at the Eagle, brings down the Dove | 351 |
| III. | Paradise regained Below | 360 |
| IV. | Nay; on High! | 367 |
_v2_Frontis.jpg)
At the Green Box.
Etched by J. Massard.—From drawing
by François Flameng.
LIST OF ILLUSTRATIONS.
VOL. I.
| Page | |
| Ursus and Homo | Frontispiece |
| The Storm | 55 |
| The Child at the Gallows | 71 |
| "Let us throw our crimes into the sea" | 147 |
| Lord David Dirry-Moir | 216 |
| Amusements of the Mohawk Club | 233 |
| Dea | 301 |
VOL. II.
| Page | |
| At the Green Box | Frontispiece |
| In the Torture Chamber | 103 |
| The Funeral Procession | 188 |
| Lord Clancharlie's Speech | 297 |
| Gwynplaine breaking into Tadcaster Inn | 324 |
INTERNATIONAL LIMITED EDITION.
Limited to One Thousand Copies.
No. 672
TYPOGRAPHY, ELECTROTYPING, AND
PRINTING BY JOHN WILSON AND SON,
UNIVERSITY PRESS, CAMBRIDGE, U.S.A.
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
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