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vii.]
THE ESSAY ON MAN
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wind and passion as the gale on life's vast ocean, he is adapting his comparison from Locke's treatise on government.

If all such cases were adduced, we should have nearly picked the argumentative part of the essay to pieces; but Bolingbroke supplies throughout the most characteristic element. The fragments cohere by external cement, not by an internal unity of thought; and Pope too often descends to the level of mere satire, or indulges in a quaint conceit or palpable sophistry. Yet it would be very unjust to ignore the high qualities which are to be found in this incongruous whole. The style is often admirable. When Pope is at his best every word tells. His precision and firmness of touch enables him to get the greatest possible meaning into a narrow compass. He uses only one epithet, but it is the right one, and never boggles and patches or, in his own phrase, "blunders round about a meaning." Warton gives, as a specimen of this power, the lines:—

But errs not nature from this gracious end From burning suns when livid deaths descend, When earthquakes swallow or when tempests sweep Towns to one grave, whole nations to the deep?

And Mr. Pattison reinforces the criticism by quoting Voltaire's feeble imitation:—

Quand des vents du midi les funestes haleines De semence de mort ont inondé nos plaines, Direz-vous que jamais le ciel en son courroux Ne laissa la santé séjourner parmi nous?

It is true that in the effort to be compressed, Pope has here and there cut to the quick and suppressed essential parts of speech, till the lines can only be construed by our

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