Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/386

Swiss Alps and Italy. Medals in Paris, Vienna, and Philadelphia. Works: Landscape with Stag-Hunt; Waterfall in Tyrol; Uri-Rotstock on Vierwaldstätter Lake; Lauterbrunn Valley; Wallenstädter Lake; Evening on Brienz Lake; The Wetterhorn; Reichenbach Falls near Meiringen; Evening Landscape in Salzburg; Gosau Lake; Jacobi Garden near Düsseldorf; Sorrento (1872), Kunsthalle, Hamburg; Capri, Königsee and the Watzmann.—Müller, 288.

JUNKER, HERMANN, born in Frankfort in 1838. Genre painter, pupil of Städel Institute under Jacob Becker and Steinle, then in 1860 of K. Hausmann, and in 1862-64 studied in Paris and Amsterdam. Works: Auerbach Cellar in Leipsic; Artist's Pilgrimage; Old Maid; Committee of Examiners (1865); Poetry and Prose (1867); Proclamation of Peace of Versailles (1871); Cycle of twelve Scenes from Goethe's Life.—Müller, 289.

JUNO AND HERCULES, Giulio Romano, Bridgewater House, London. Juno, awaking, snatches the infant Hercules from her breast; background, a landscape, with boys and satyrs. Remarkably clear and warm in colouring. Orleans Gallery; bought by Duke of Bridgewater for £300.—Waagen, Treasures, ii. 29.

JUNO NURSING HERCULES. See Milky Way.

JUPITER, ancient picture. See Zeuxis.

JUPITER AND ANTIOPE, Anton van Dyck, Munich Gallery. The nymph asleep upon a bank beneath a drapery which Cupids are suspending from trees; Jupiter, in form of a satyr, bending on one knee, is raising the covering from her bosom. Formerly in Düsseldorf Gallery. Replica, Earl of Coventry. Engraved by Van Kessel; Soutman; Van der Steen; Val. Green; Ch. de Méchal.—Munich Gal., Pl. 22; Smith, iii. 23; ix. 397; Guiffrey, 253.

By Titian, Louvre; canvas, H. 6 ft. 5 in. × 12 ft. 7 in. Antiope, nearly nude, asleep on a bed of skins under a tree; Jupiter, as a satyr, lifts the drapery from her form, while Cupid aims an arrow at him from a branch above; at left, sylvan gods and goddesses engaged in sport or conversation; in the distance, a huntsman hastens with his dogs toward a glade where a stag is brought to bay. Painted about 1562 for Philip II. of Spain; called in Spain the Venus del Pardo, from the Palace of Pardo, near Madrid, where it was injured in the fire of 1608; given to Charles Stuart when in Spain; bought by Jabach at sale of the King's collection in London (1650-51) for £600, and sold to Cardinal Mazarin, from whose heirs it passed to Louis XIV. Injured by cleaning in the Louvre in 1661, afterwards restored by Antoine Coypel; again restored and transferred to new canvas in 1829. Engraved by Baron and by Corneille.—C. & C., Titian, ii. 317; Cab. Crozat, ii. Pl. 143; Klas. der Malerei, i. Pl. 61; Mündler, 208; Villot, Cat. Louvre.

JUPITER AND CALLISTO, Rubens, Cassel Gallery; canvas, H. 4 ft. × 5 ft. 10 in.; signed. Jupiter, under the assumed form of Diana, is bending on one knee beside the nymph, who is seated on the ground, with her right hand on a quiver.—Smith, ix. 324.

JUPITER DESTROYING CRIMES, Paolo Veronese, Louvre; canvas, oval, H. 18 ft. 5 in. × 10 ft. 10 in. Rebellion, Treason, Luxury, and Peculation, crimes punished by the Council of Ten, falling overturned at the sight of Jupiter, armed with thunderbolts, descending from Olympus on his eagle; below the god, a genius with outstretched wings holds in one hand the book of laws and in the other a whip with which he scourges the Crimes. Painted for the ceiling of the Hall of the Council of Ten, Palazzo Ducale, Venice; carried to France in 1797; in Musée Napoléon until 1810, when it was placed in the ceiling of the bed-chamber of Louis XIV. at Versailles; removed in 1858 to Louvre. Engraved by Maccham (1593).—Landon, Musée, xiii. Pl. 58; Cat. Louvre; Ridolfi, Marav., ii. 23.

JUPITER AND DANAE. See Danaë.