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1877); Gachet, Lettres inédites (Brussels, 1846); Gaedertz, R. und die Rubensfeier in Antwerpen (Leipsic, 1878); Génard, Aantekeningen over P. P. R. (Antwerp, 1877); Gerrits, P. P. R., zijn tijd, etc. (Amsterdam, 1842); V. van Grimbergen, Hist. Levensbeschryving (Antwerp, 1840); A. van Hasselt, Hist. (Brussels, 1840); Kett, Rubens (London, 1882); Kramm, v. 1395; Merlo, Nachrichten, 352; Michel, Hist. (Brussels, 1771); Michiels, Rubens et l'école d'Anvers (Paris, 1877); do., Hist. de la peinture flamande, vi. 374-444; vii. 1-253; L'Œuvre de P. P. R. (Antwerp and Brussels, 1877, 1878); R. de Piles, Recueil, etc. (Paris, 1755); Reiffenberg, Nouvelles Recherches (Brussels, 1835); Riegel, Beiträge, i. 165, 344; ii. 58-66, 92-94; Rooses (Reber), 162-254; Rosenberg, Rubensbriefe (Leipsic, 1881); Sainsbury, Original Papers (London, 1859); Schneevogt, Cat. des Estampes (Haarlem, 1873); Smith, Cat. raisonné (London, 1829-42); Van den Branden, 357, 409, 482, 1271, 1372, 1386; Verachter, Généalogie de P. P. R.; do., Le Tombeau de R. (Antwerp, 1840, 1843); Villaamil, Rubens, Diplomático Español (Madrid, 1874); Waagen (Noel), P. P. R. (London, 1840); do., Kl. Schriften (Stuttgart, 1875); Woltmann, Aus vier Jahrh., 49; Annalen des hist. Vereins f. d. Niederrhein (1861, 1869); Gaz. des B. Arts (1859-68), i.-xxxv.; (1869), i. 223, 334; (1881), xxiii. 5, 305; (1882), xxv. 5; xxvi. 273; (1883), xxvii. 5, 203, 309; xxviii. 361; (1884), xxix. 29, 193; (1884), xxx. 34; (1885), xxxi. 121; xxxii. 97, 449; Graph. K., ii. 25; Journal des B. Arts (1875-79); Kunst-Chronik, xii. 425, 457, 571, 697, 724, 777, 809, 825; xiii. 81; xvi. 484, 504; xvii. 694; xviii. 217, 532; xxi. 141, 221, 337; Vlaamsche school (1866, 1875, 1877, 1878); Zeitschr. f. b. K., i. 225; ii. 132; iii. 128; iv. 47; v. 202, 304; viii. 190; ix. (Mittheilungen, ii. 1); x. 96 (Mit., iii. 40); xi. 352, 383; xii. 261, 306 (Mit., v. 57); xv. 225, 261; xvi. 235; xvii. 165.
RUBENS, portrait, Rubens, Windsor Castle;
wood, H. 2 ft. 9-1/2 in. × 2 ft. 1 in. Half-length,
face three-quarters, looking to left,
wearing a black Spanish mantle with a gold
chain around his neck, and a large hat decorated
with a tassel. Presented to Charles
I. by Lord Danby. Engraved by P. Pontius;
Worlidge; Chambers; Facius; Pelham;
J. H. Robinson. Duplicate, engraved
by Moulmeester and Gregori, Uffizi, Florence.
Other portraits of Rubens in Vienna,
Louvre, Uffizi, and Genoa Galleries.—Smith,
ii. 145, 159; Waagen, Treasures, ii. 435;
Lasinio, iii. Pl. 96.
Rubens and Isabella Brandt, Rubens, Munich Gallery.
RUBENS AND ISABELLA BRANDT, Rubens, Munich Gallery; canvas, H. 5 ft. 6 in. × 4 ft. 2 in. Rubens and his first wife, daughter of Jan Brandt, of Antwerp; figures full-length, in full dress, seated, under an arbour, he on the edge of a table, she on a stool beside it. Probably painted about 1610. Engraved by Hess.—Kett, 64; Smith, ii. 63.
RUBENS AND HELENA FOURMENT,
Rubens, Blenheim Palace; canvas, H. 7 ft.
8 in. × 6 ft. 8 in. Rubens and his second
wife, full-length, life-size, in Spanish cos-