Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/125
picture, with a cart and three horses tandem fording the brook (Royal Academy, 1831), belonged in 1857 to Samuel Ashton, near Manchester. Sketch, called The Rainbow, in Louvre. Engraved by D. Lucas.—Waagen, Treasures, ii. 301; do., iv. 416; Brock-Arnold, 105.
SALLAERT, ANTHONIE, born in Brussels
about 1590, died after 1648. Flemish
school; history painter, pupil of M. de Bordeau,
master of Brussels Guild in 1613;
dean in 1633-35, 1646-48; often employed
by Rubens in Antwerp. Works: Archery
in 1613 (1620); Procession of Brussels
Guild; Allegory on Passion of Christ, Procession
des Pucelles du Sablon, Infanta Isabella
Victrix at the Shooting of the Grand-Serment,
Brussels Museum; Holy Family,
Ghent Museum; Judgment of Paris, Madrid
Museum.—Immerzeel, iii. 52; Kramm,
v. 1439; Nagler, Mon., i. 530.
SALLES, ADELHEID (née Wagner),
born in Dresden in 1825. History and portrait
painter, sister of Élise Puyroche, studied
in Dresden and under Jacquand in Paris,
married the painter Jules Salles at Nîmes.
Works: The Parcæ; Psyche in Olympus;
Daughter of Eve; Elijah in the Desert;
Pensierosa; Truth ensnared by Falsehood;
Exit from Bath; The Echo; Queen Bertha.
SALMACIS AND HERMAPHRODITUS,
Francesco Albani, Louvre; copper, H. 6 in.
× 1 ft. Hermaphroditus, about to bathe in
the fountain Salmacis, is watched by the
nymph from behind trees (Ovid, Met., iv.
285). From Collection of Louis XIV.
Copy, with variations, in Turin Gallery; engraved
by Bridi.—Villot, Cat. Louvre, 8;
Filhol, i. Pl. 16; Landon, Musée, vi. Pl. 23;
Gal. di Torino, i. Pl. 21.
SALMSON, HUGO FREDRIK, born in
Stockholm in 1843. History, genre, and
portrait painter, pupil of Stockholm Academy
under Boklund, then in Paris of
Charles Comte; painted at first genre
scenes from Swedish history, settled in
Paris in 1869, and has since taken up subjects
from modern life in the elegant manner
of Comte. Medal, 3d class, 1879; L. of
Honour, 1879. Member of Stockholm Academy
in 1871. Works: Catharina Jagellonica
and Jöran Persson; Gustav Vasa finding
his Wife Asleep; Sten Sture offering Peace
to Archbishop Trolle (all before 1869);
Spring; Visit at the Bailiff's; Peasant Woman
with Dove; Fortune Teller; Orsa Woman
with her Child; Carrot Planters in Picardy;
An Arrest in a Village of Picardy
(1879), At the Gates of Dalby in Skane—Sweden
(1884), Luxembourg Museum; The
Orphans (1884); Little Gleaner, Dear Grandma
(1885); Visit to the Farmer—Sweden
(1886).—Müller, 457.
SALOMAN, GESKEL, born at Tondern,
Schleswig, April 1, 1821. Genre and portrait
painter, pupil of Copenhagen Academy
and of Lund and Eckersberg; went in 1850
to Gotenburg, where he painted many portraits,
and in 1854 to Paris to study under
Couture; visited Algiers in 1860-61. Member
of Stockholm Academy in 1871, court painter
in 1876. Order of Vasa, 1869. Works:
Game of L'Hombre; First Lesson on Violin;
Painter and Model; News from Crimea,
Gotenburg Museum; Swedish Weaver and
Child (1858); Emigrants of Gotenburg
(1869); Spahi before his Sweetheart's Door;
Victim of the Chickens; Girl with Letter,
Stockholm Museum.—Weilbach, 605.
SALOME, daughter of Herodias and of
Philip, brother of Herod the tetrarch. She
danced before her uncle on his birthday
and so pleased him that he promised with
an oath to give her whatever she should
ask. She, instructed by her mother, whose
guilty relations with Herod had been denounced
by John the Baptist, demanded
the head of John, and it was brought to her
in a charger (Matt., xiv.). A favourite subject
with the painters.
By Carlo Dolci, Dresden Gallery; canvas, H. 3 ft. 3 in. × 2 ft. 8 in. The daughter of Herodias, three-fourths length, with head of John the Baptist in a charger. Painted for the Marchese Rinuccini. Engraved by P. A. Kilian.—Gal. roy. de Dresde, i. Pl. 42.