Page:Cyclopedia of painters and paintings (IA cyclopediaofpain04cham).pdf/275
Lebreton and Montigny to found an Academy of Art in Rio de Janeiro, and returned in 1824. Works: St. John Preaching, Military Hospital in Italy (1789), Peter the Hermit preaching First Crusade, Taking a City (1800), Louvre, Paris; Battle of Nazareth, Crossing the St. Bernard, Napoleon I. entering Munich, Battle of Ebersburg, Halt on the Slope of the Alps, Bonaparte visiting the Battle Field of Lodi, Versailles Museum; Woman taken in Adultery, Grenoble Museum; Ball Play, Village Fête, Shepherds Reposing, Montpellier Museum; Shepherds competing for the Prize of Pan, Clorinda with the Herdsmen, The Lion of Androcles, Brother Philip's Geese, Proclamation of Henry of Burgundy as first King of Portugal (Lisbon and Rio de Janeiro); Military Camp, Hermitage, St. Petersburg. Many of his works have been engraved.—Bellier, ii. 546; Ch. Blanc, École française; Biog. universelle; Villot, Cat. Louvre; Jal, 1176; Meyer, Gesch., 138.
TAURISCUS, painter, date unknown. Pliny names (xxxv. 40 [144]) among his works a Discobolus, a Clytæmnestra, a Pan, a Polynices claiming the Sovereignty, and a Capaneus. Possibly identical with Tauriscus of Tralles, the sculptor.—Pliny, xxxvi. 4 [33]; Sillig, 434; Brunn, ii. 287.
TAVARONE, LAZZARO, born in Genoa
in 1556, died there in 1641. Genoese
school; favourite pupil and assistant of
Luca Cambiaso; went with his master to
Spain, and continued in the Escorial the
works left unfinished by him at his death
(1585). Returned to Genoa in 1594, and
painted many frescos in the cathedral and
other churches, and in various palaces, especially
the Palazzo Adorno, where he executed
a fresco on the ceiling, The Doge
Adorno receiving the Pope. He left but
few oil pictures.—Lanzi, iii. 248; Ch. Blanc,
École génoise; Lavice, 89.
TAVERNIER, PAUL, born in Paris; contemporary.
Animal, genre, and portrait
painter, pupil of Cabanel and Guillaumet.
Medal, 3d class, 1883. Works: Café in
Algiers (1878); Arabs Bathing Horses in
the Sea (1879); Hallali (1880); The Model
(1881); An Inquiry (1882); Stag Hunt, The
Chase (1883); Bat l'eau, Wild Boar Hunt
(1884); The Stag at Bay, A False Start
(1885); Amazone aux écoutes, Rentrée des
poulinières (1886).
TEERLINK, ABRAHAM, born at Dordrecht
in 1777, died in Rome in June, 1857.
Landscape painter, pupil of Michiel Versteeg,
of Jan Kelderman (1741-1820), and
of Arie Lamme; then studied in Paris under
David in 1808-9, and thence went to Rome.
He ranks among the more esteemed of
modern landscape painters. Order of Lion,
1839. Member of Amsterdam Academy.
Works: Italian Landscape (1823), Falls of
Tivoli (1824), Amsterdam Museum; View
of Aricia near Rome (1855), New Pinakothek,
Munich.—Immerzeel, iii. 129; Kramm,
vi. 1606.
TEICHS, FRIEDRICH ADOLF, born at
Brunswick in 1812. Historical genre painter,
pupil of Düsseldorf Academy in 1834-36,
after having studied while travelling in Hungary,
North Italy, and Tyrol. His pictures
show great feeling for noble forms and fine
grouping, but are rather weak in drawing
and colouring. Works: Albrecht Dürer
painting (1834); Singer on the Battlement
of a Castle (1835); Auerbach's Cellar, Wood
Gatherer by Forest Chapel (1836); Portrait
of Emperor Otto II. (1836), Römer, Frankfort;
Greek Prisoners guarded by Mamelukes
(1837), Mr. Geisberg, Münster; Liberation
of Christians through Crusaders (1837);
Henry the Lion taking Leave of his Wife;
Scene in Hamlet (1840); Richard Cœur de
Lion taking Corsair's Ship (1840); Charles
V. denying Exhumation of Luther (1845);
Last Banquet of the Girondists (1849),
Stettin Museum.—Cotta's Kunstbl., 1835-45;
Illustr. Zeitg., 1849; Nagler, xviii.
160.