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Ammer Lake; Outlook into the Plain; Wood Landscapes (3, 1845, 1848, 1850), New Pinakothek, Munich.—Cotta's Kunstblatt (1834-43); Dioskuren (1860, 1861, 1863); Kunst-Chronik, xiv. 243; Müller, 573; Schack, Meine Gemäldesammlung (1884), 200; Zeitschr. f. b. K, ii. 29.


ZIMMERMANN, CLEMENS VON, born in Düsseldorf, Nov. 8, 1788, died in Munich, Jan. 24, 1869. History and portrait painter, pupil of Düsseldorf Academy under Peter von Langer, whom he followed to Munich in 1808, to continue his studies at the Academy there; obtained the first prize in 1812; visited Italy in 1816, and having been director of the Augsburg Art School in 1817-25, became professor at the Munich Academy. There he executed frescos in the Glyptothek and Pinakothek, after sketches by Cornelius, besides several successful oil paintings; was made director of the Central Gallery in 1846, and visited Italy again in 1856-57 and 1859. Works: Mercury and Argus (1811); Noah's Sacrifice (1812); Theseus and his Mother, Flight into Egypt (1814); Madonna, Farewell of Tobias (1817); Portraits of King Maximilian I. (1820) and of Queen Hortense; Pilgrimage of Italian Peasants to Loretto (1820), New Pinakothek, Munich; Joseph sold by his Brothers (1826); Marriage of St. Catharine (1829); St. Cecilia with Angels (1836); Farewell of Tobias (1837); The Three Theological Virtues (1840); Cimabue finding Giotto (1841), New Pinakothek, Munich; Mars and Venus (1843); Madonna (1846); Assumption (1852); Paul's Expedition to Damascus (1867); Portrait of King Louis I. of Bavaria, Schleissheim Gallery. In fresco: Investiture of Otto von Wittelsbach with the Duchy of Bavaria in 1180, Arcades of Royal Garden, Munich. His son and pupil, Julius, born in Augsburg in 1824, studied also in Rome and Paris, painted at first portraits and genre (Young Musician, 1848), afterwards excellent landscapes in water-colours. Works: On Lake Vierwaldstaedt; Reichenbach Falls; Road to Rosenlaui Glacier.—Andresen, iii. 145; Dioskuren (1869), 59; Kunst-Chronik, iv. 70; Nagler, xxii. 237; Raczynski, ii. 316.



ZIMMERMANN, ERNST, born in Munich, April 24, 1852. History and genre painter, son of Reinhard Sebastian Zimmermann, pupil of his father, then of the Munich Academy under Strähuber and Anschütz and Wilhelm Diez; visited Venice, Paris, and Vienna, and has, since 1879, acquired deserved reputation as a fine colourist. Medals: 2d class, Munich, 1883; Berlin, 1886. Works: Monk mending Violin; Rope Dancers in a Barn; Walk of Young Princess; Scenes from Fishermen's Life on Lake Constance; Travelling Menagerie, Mrs. D. D. Colton, San Francisco; Christ among the Doctors (1879); Game and Fish Seller as Business Friends (1881); Confounded Dice Playing!, Fish Seller (1882); Adoration of the Shepherds (1883), New Pinakothek, Munich; Flute-Player, Madonna in Rose Bower, Christ in House of Lazarus (1884); Tyrolese Wrestlers (1885); Christ and the Fishermen (Jubilee Exhibition, Berlin, 1886).—Müller, 573; Illustr. Zeitg. (1883), ii. 583, 588; Kunst-Chronik, xvii. 306; xviii. 386, 402; xix. 447; xxi. 60; Reber-Pecht, iii. 285; Zeitschr. f. b. K, xv. 191; xix. 132; xx. 52; xxi. 332.


ZIMMERMANN, FRIEDRICH, born at Diessenhofen, Switzerland, in 1823, died in Geneva in 1884. Landscape painter, pupil of Calame in 1852-56. Works: Arolla Glacier in Canton Wallis, White Rock at the Prado near Marseilles, View near Geneva, Berne Museum; Ancasca Valley on Monte Rosa, Langres Museum; On the Engstlen Alp, Turin Gallery; Interior of Oakwood, Duchess of Genoa; View in Berner Oberland, Royal Academy, London.