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GEORGE FREDERICK WATTS

century was self-conscious, believed itself to be an idea and an atmosphere, and changed its name from a chronological almost to a philosophical term. I do not know whether all centuries do this or whether an advanced and progressive organ called “The Eleventh Century” was ever in contemplation in the dawn of the Middle Ages. But with us it is clear that a certain spirit was rightly or wrongly associated with the late century and that it called up images and thoughts like any historic or ritual date, like the Fourth of July or the First of April. What these images and thoughts were we shall be obliged in a few minutes and in the interests of the subject to enquire. But this is the first circumstance which renders the period important; and the second is that it has always been so regarded by Watts himself. He more than any other modern man, more than politicians who thundered on platforms or financiers who captured continents, has sought in the midst of his quiet and hidden life to mirror his age. He was born in the white and austere dawn of that great reforming century, and he has lingered after its grey and doubtful close. He

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