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emerged out of rough pioneer experiences into a mellow old age.

He conducts you to a great, irregular, grass-grown mound.

"This," he says, "was the old military hospital. Where that steer's grazin', the old Texas road come in from the east. Charlie Bowdre used to live here with his wife, Manuela. Pat Garrett killed Tom O'Folliard right over there. Over yonder was the old peach orchard where Garrett, Poe, and McKinney hid on the night Billy the Kid was killed. It used to spread over a powerful lot of ground. You never seen anything prettier than when it was in full bloom in the spring o' the year. See them two lone trees? They're all that's left of thousands. They're the old peach orchard now."

A little to the south across an irrigating ditch emptying into the Pecos River is a long, low, tumbled mound buried under bunchgrass and sunflowers. This, Foor tells you, is the remains of the barracks of the soldiers. Fifty yards farther south is another mound of the same kind, marking the second row of barracks. Along this mound, Foor points out where stood the home of Saval Gutierrez, out of which Billy the Kid walked to his death.

Main Street was once along the river bank. Now it is an indistinguishable part of the cattle range. The Pecos has eaten away most of the land on which stood the stores and bars that formerly fronted on the ancient thoroughfare. The site of Beaver Smith's famous old saloon is probably by now at the bottom of the Gulf of Mexico. Off to the east, still plainly marked, is the old parade ground, a gravelly tract on which weeds and grass grow thinly. As you skirt its edges, a jackrabbit jumps up