Page:Shakespearean Tragedy (1912).djvu/493

This page has been proofread, but needs to be validated.

NOTES ON MACBETH

477

Len. Sent he to Macduff?Lord. He did: and with an absolute ‘Sir, not I,’The cloudy messenger turns me his backAnd hums, as who should say ‘You’ll rue the timeThat clogs me with this answer.’Len. And that well mightAdvise him to a caution, to hold what distanceHis wisdom can provide. Some holy angelFly to the court of England, and unfoldHis message ere he come, that a swift blessingMay soon return to this our suffering countryUnder a hand accurs’d!

or this (IV. ii. 118 f.):

Macduff, this noble passion,Child of integrity, hath from my soulWiped the black scruples, reconciled my thoughtsTo thy good truth and honour. Devilish MacbethBy many of these trains hath sought to win meInto his power, and modest wisdom plucks meFrom over-credulous haste: but God aboveDeal between thee and me! for even nowI put myself to thy direction, andUnspeak mine own detraction, here abjureThe taints and blames I laid upon myself,For strangers to my nature.

I pass to another point. In the last illustration the reader will observe not only that ‘overflows’ abound, but that they follow one another in an unbroken series of nine lines. So long a series could not, probably, be found outside Macbeth and the last plays. A series of two or three is not uncommon; but a series of more than three is rare in the early plays, and far from common in the plays of the second period (König).

I thought it might be useful for our present purpose, to count the series of four and upwards in the four tragedies, in the parts of Timon attributed by Mr. Fleay to Shakespeare, and in Coriolanus, a play of the last period. I have not excluded rhymed lines in the two places where they occur, and perhaps I may say that my idea of an ‘overflow’ is more exacting than König’s. The reader will understand the following table at once if I say that, according to it, Othello contains three passages where a series of four successive overflowing