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in the habit of a monk, and, if Vivaldi's transient observation might be trusted, he was of the very same order with that of Schedoni. Yet if he were Schedoni, or even his agent, it was not probable that he would have shewn himself in a dress that might lead to a discovery of his person. That he was anxious for concealment, his manner had strongly proved; it seemed then, that this habit of a monk was only a disguise, assumed for the purpose of misleading conjecture. Vivaldi, however, determined to put some questions to Schedoni, and at the same time to observe their effect on his countenance. He took occasion to notice some drawings of ruins, which ornamented the cabinet of the Marchesa, and to say that the fortress of Paluzzi was worthy of being added to her collection. "You have seen it lately, perhaps, reverend father," added Vivaldi, with a penetrating glance.
"It is a striking relique of antiquity," replied the confessor.
"That