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nicated with the building, whose singular structure had formerly arrested the attention of Bonarmo, and whence Vivaldi himself had returned with such unexpected precipitancy and consternation.
On perceiving the place he was approaching, he suddenly stopped, and Paulo observing his agitation, and probably not relishing the adventure, endeavoured to dissuade him from further research: "For we know not who may inhabit this gloomy place, Signor, or their numbers, and we are only two of us after all! Besides, Signor, it was through that door, yonder;" and he pointed to the very spot whence Vivaldi had so fearfully issued; "through that door, that I fancied, just now, I saw something pass."
"Are you certain as to this?" said Vivaldi, with increased emotion. "What was its form?"
"It was so dusky thereabout, Maestro, that I could not distinguish."
Vivaldi's