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door. Yet he often looked forward into the sacred gloom, which the painted windows threw over the remote perspective, in the expectation of perceiving a monk. He was not long disappointed; a person appeared, standing silently in an obscure part of the cloister, cloathed in the habit of this society, and he advanced towards him.
The monk did not avoid Vivaldi, or even turn to observe who was approaching, but remained in the same attitude, fixed like a statue. This tall and gaunt figure had, at a distance, reminded him of Schedoni, and Vivaldi, as he now looked under the cowl, discovered the ghastly countenance of the confessor.
"Have I found you at last?" said Vivaldi. "I would speak with you, father, in private. This is not a proper place for such discourse as we must hold."
Schedoni made no reply, and Vivaldi, once again looking at him, observed thathis