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posed to favour Vivaldi's addresses, he proposed that, according to the custom of the country, a serenade should be given; he maintained, that, if she was not disinclined towards him, some sign of approbation would appear; and if otherwise, that she would remain silent and invisible. Vivaldi objected to this coarse and inadequate mode of expressing a love so sacred as his, and he had too lofty an opinion of Ellena's mind and delicacy, to believe, that the trifling homage of a serenade would either flatter her self-love, or interest her in his favour; nor, if it did, could he venture to believe, that she would display any sign of approbation.
His friend laughed at his scruples and at his opinion of what he called such romantic delicacy, that his ignorance of the world was his only excuse for having cherished them. But Vivaldi interrupted this raillery, and would neither suffer him for a moment to speak thus of Ellena, or to call such delicacy romantic. Bonarmo, how-ever,