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PUNCTUATION

used that are hardly even correct. It may be suspected that writers allow themselves to be deceived by the false analogy of sentences in which the and or for is immediately followed by a subordinate clause or phrase that has a right to its two commas. When there is no such interruption, the only possible plea for the comma is that it is not logical but rhetorical, and conveys some archness or other special significance such as is hardly to be found in our two examples:

The lawn, the soft, smooth slope, the... bespeak an amount of elegant comfort within, that would serve for a palace. This indication is not without warrant; for, within it is a house of refinement and luxury.–Dickens.

And, it is true that these were the days of mental and moral fermentation.–Hutton.

We shall class here also, assuming for the present that the rhetorical plea may be allowed even when there is no logical justification for a stop, two sentences in which the copula is, standing between subject and complement, has commas on each side of it. Impressiveness is what is aimed at; it seems to us a tawdry device for giving one's sentence an ex cathedra air:

The reason why the world lacks unity, is, because man is disunited with himself.–Emerson.

The charm in Nelson's history, is, the unselfish greatness.–Emerson.

Many other kinds of over-stopping might be illustrated; but we have intentionally confined ourselves here to specimens in which grammatical considerations do not arise, and the sentence is equally correct whether the stops are inserted or not. Sentences in which over-stopping outrages grammar more or less decidedly will be incidentally treated later on. Meanwhile we make the general remark that ungrammatical insertion of stops is a high crime and misdemeanour, whereas ungrammatical omission of them is often venial, and in some cases even desirable. Nevertheless the over-stopping that offends against nothing but taste has its counterpart in under-stopping of the same sort. And it must be added that