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blance of forms in order to represent them. Now consider which is nearer to man, the name of man or the image of man? The name of man varies in diverse countries, but death alone changes his form. If thou wast to say that painting is more lasting, I answer that the works of a coppersmith, which time preserves longer than thine or ours, are more eternal still. Nevertheless there is but little invention in it, and painting on copper with colours of enamel is far more lasting. We by our art can be called the grandsons of God. If poetry deals with moral philosophy, painting deals with natural philosophy; if poetry describes the action of the contemplative mind, painting represents the effect in motion of the action of the mind ; if poetry terrifies people with the pictures of Hell, painting does the same by depicting the same things in action. If a poet challenges the painter to represent beauty, fierceness, or an evil, an ugly or a monstrous thing, whatever variety of forms he may produce in his way, the painter will cause greater satisfaction. Are there not pictures to be seen so like reality that they deceive men and animals?

9.

The imagination is to the effect as the shadow to the opaque body which causes the shadow, and the proportion is the same between poetry and painting. Because poetry produces its results in the

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