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ments on them, and it is exceedingly rare that the commentators are agreed as to the meaning of the poet; and often the readers peruse but a small portion of their works, owing to lack of time. But the works of the painter are immediately understood by those who behold them.

18.

Painting manifests its essence to thee in an instant of time, —its essence by the visual faculty, the very means by which the perception apprehends natural objects, and in the same duration of time,—and in this space of time the sense-satis-fying harmony of the proportion of the parts composing the whole is formed. And poetry apprehends the same things, but by a sense inferior to that of the eyesight, which bears the images of the objects named to the perception with greater confusion and less speed. Not in such wise acts the eye (the true intermediary between the object and the perception), for it immediately communicates the true semblance and image of what is represented before it with the greatest accuracy; whence that proportion arises called harmony, which with sweet concord delights the sense in the same way as the harmony of diverse voices delights the ear; and this harmony is less worthy than that which delights the eye, because for every part of it that is born a part dies, and it dies as fast as it is born. This

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