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description of the poet cannot accomplish this, —the poet who is now set up as a rival to the painter, but does not perceive that time sets a division between the words in which he describes the various parts of the beauty, and that forgetfulness intervenes and divides the proportions which he cannot name without great prolixity; he cannot compose the harmonious concord which is formed of divine proportions. And on this account beauty cannot be described in the same space of time in which a painted beauty can be seen, and it is a sin against nature to attempt to transmit by the ear that which should be transmitted by the eye. What prompts thee, O man, to abandon thy habitations in the city, to leave thy parents and friends, and to seek rural spots in the mountains and valleys, if it be not the natural beauty of the world, which, if thou reflectest, thou dost enjoy solely by means of the sense of sight? And if the poet wishes to be called a painter in this connection also, why didst thou not take the descriptions of places made by the poet and remain at home without exposing thyself to the heat of the sun? Oh! would not this have been more profitable and less fatiguing to thee, since this can be done in the cool without motion and danger of illness ? But the soul could not enjoy the benefit of the eyes, the windows of its dwelling, and it could not note the character of joyous

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