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the living thing, and with it arouse such desire in men! If thou say est: I will describe then Hell and Paradise and other delights and terrors,— the sion in painter will surpass thee, because he will set before thee things which in silence will [make thee] give utterance to such delight, and so terrify thee as to cause thee to wish to take flight. Painting stirs the senses more readily than poetry. And if thou sayest that by speech thou canst convulse a crowd with laughter or tears, I rejoin that it is not thou who stirrest the crowd, it is the pathos of the orator, and his mirth. A painter once painted a picture which caused everybody who saw it to yawn, and this happened every time the eye fell on the picture, which represented a person yawning. Others have painted libidinous acts of such sensuality that they have incited those who gazed on them to similar acts, and poetry could not do this.

And if you write the description of certain deities the description will not be held in the same veneration as the picture of the Deity, because prayers and votive offerings will always be made to the picture, and many peoples from diverse countries and from across the Eastern seas will flock to it. And they will invoke the picture, and not the writing, for succour. Who is he who would not lose hearing, smell and touch rather than sight? Because he who loses his sight is like the man who is driven from the world, because

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