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batants, such as broken shields, lances, shattered swords and other similar objects; you must portray dead men,some half covered, some entirely covered, by the dust which is mingled with the spilt blood and converted into red mud, and the blood is seen by its colour flowing in a sinuous stream from the body to the dust; others in their death-agony are grinding their teeth, rolling their eyes and clenching their fists against their bodies and their distorted legs.

Some might be represented disarmed and thrown by the enemy, turning upon him with teeth and nails to wreak cruel and sharp revenge; a riderless horse might be represented charging with his mane streaming to the wind amidst the enemy, and inflicting great damage with his hoofs.

Some maimed man might be seen fallen to the earth and protecting himself with his shield, while the enemy, bending over him, tries to kill him. You might show a number of men fallen together over a dead horse. You would see some of the conquerors leaving the battle and issuing from the crowd, clearing with their hands their eyes and cheeks of the mud made by the watering of their dust-bespat tered eyes.
You would see the reserves standing 

full of hope and caution, with brows alert, shading them with their hands and gazing through the thick and confused darkness, attentive to the orders of their captain; and likewise the captain, with his staff raised, is rushing towards these re-

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