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of the Mykenaean goddess. The rude idols, moreover, of which Dr. Schliemann has found so many at Hissarlik, belong to the same type as the sacred vases; on these, however, the ringlets of the goddess are sometimes represented, while the wings at the sides are absent. These idols re-appear in a somewhat developed form at Mykênac, as well as in Cyprus and on other sites of archaic Greek civilization, where they testify to the humanizing influence that spread across to the Greek world from the shores of Asia Minor. Thanks to the discoveries of Dr. Schliemann, we can now trace the artistic type of the old Chaldean goddess as it passed from Babylonia to Carchemish, and from thence to the Troad and to the Peloponnêsos itself.

As might have been expected, the same type is met with on the peculiar cylinders which are found in Cyprus, on the southern coast of Asia Minor, and in the neighbourhood of Aleppo and Carchemish, and which I have shown elsewhere to be of Hittite origin.^[1] Here it is frequently combined with the symbol of an ox-head, like that which occurs so often at Mykênae, where it is found times without number associated with the double-headed axe, the well-known characteristic of Asianic art. A similar axe of green jade has been unearthed on the site of the ancient Hêraion near Mykênae, along with the foot of a small statue in whose hand it must once have been held. The foot is shod with a boot