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fact, I hated to see it; for it reminded me of the natural barrier between Animula and myself. I hurriedly looked down on the stage of the microscope. The slide was still there—but, great heavens! the water-drop had vanished! The awful truth burst upon me; it had evaporated, until it had become so minute as to be invisible to the naked eye; I had been gazing on its last atom, the one that contained Animula—and she was dying!

I rushed again to the front of the lens, and looked through. Alas! the last agony had seized her. The rainbow-hued forests had all melted away, and Animula lay struggling feebly in what seemed to be a spot of dim light. Ah! the sight was horrible: the limbs once so round and lovely shriveling up into nothings; the eyes—those eyes that shone like heaven—being quenched into black dust; the lustrous golden hair now lank and discolored. The last throe came. I beheld that final struggle of the blackening form—and I fainted.

When I awoke out of a trance of many hours, I found myself lying amid the wreck of my instrument, myself as shattered in mind and body as it. I crawled feebly to my bed, from which I did not rise for months.

They say now that I am mad; but they are mistaken. I am poor, for I have neither the heart nor the will to work; all my money is spent, and I live on charity. Young men's associations that love a joke invite me to lecture on optics before them, for which they pay me, and laugh at me while I lecture. "Linley, the mad microscopist," is the name I go by. I suppose that I talk incoherently while I lecture. Who could talk sense when his brain is haunted by such ghastly memories, while ever and anon among the shapes of death I behold the radiant form of my lost Animula!