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Weird Tales

full evening dress. Left alone, he would have grown fat and fluffy. But Jael Bettiss, who wanted a fearsome pet, kept all his white spots smeared with thick soot, and underfed him to make him look rakish and lean.

On the night of the full moon, she would drive poor Gib from her door. He would wander to the village in search of food, and would wail mournfully in the yards. Awakened householders would angrily throw boots or pans or sticks of kindling. Often Gib was hit, and his cries were sharpened by pain. When that happened, Jael Bettiss took care to be seen next morning with a bandage on head or wrist. Some of the simplest villagers thought that Gib was really the old woman, magically transformed. Her reputation grew, as did Gib’s unpopularity. But Gib did not deserve mistrust—like all cats, he was a practical philosopher, who wanted to be comfortable and quiet and dignified. At bottom, he was amiable. Like all cats, too, he loved his home above all else; and the house in the hollow, be it ever so humble and often cruel, was home. It was unthinkable to him that he might live elsewhere.

In the village he had two friends—black-eyed John Frey, the storekeeper’s son, who brought the mail to and from the county seat, and Ivy Hill, pretty blond daughter of the town marshal, the same town marshal who owned the hollow and let Jael Bettiss live in the old house. John Frey and Ivy Hill were so much in love with each other that they loved everything else, even black-stained, hungry Gib. He was grateful; if he had been able, he would have loved them in return. But his little heart had room for one devotion only, and that was given to the house in the hollow.

ONE day, Jael Bettiss slouched darkly into old Mr. Frey’s store, and up to the counter that served for postoffice. Leering, she gave John Frey a letter. It was directed to a certain little-known publisher, asking for a certain little-known book. Several days later, she appeared again, received a parcel, and bore it to her home.

In her gloomy, secret parlor, she unwrapped her purchase. It was a small, drab volume, with no title on cover or back. Sitting at the rickety table, she began to read. All evening and most of the night she read, forgetting to give Gib his supper, though he sat hungrily at her feet.

At length, an hour before dawn, she finished. Laughing loudly and briefly, she turned her beak-nose toward the kerosene lamp on the table. From the book she read aloud two words. The lamp went out, though she had not blown at it. Jael Bettiss spoke one commanding word more, and the lamp flamed alight again.

“At last!” she cried out in shrill exultation, and grinned down at Gib. Her lips drew back from her yellow chisels of teeth. “At last!” she crowed again. “Why don’t you speak to me, you little brute? . . . Why don’t you, indeed?”

She asked that final question as though she had been suddenly inspired. Quickly she glanced through the back part of the book, howled with laughter over something she found there, then sprang up and scuttled like a big, filthy crab into the dark, windowless cell that was her kitchen. There she mingled salt and malt in the palm of her skinny right hand. After that, she rummaged out a bundle of dried herbs, chewed them fine and spat them into the mixture. Stirring again with her forefinger, she returned to the parlor. Scanning the book to refresh her memory, she muttered a nasty little rime. Finally she dashed the mess suddenly upon Gib.

He retreated, shaking himself, outraged and startled. In a corner he sat down, and bent his head to lick the smeared fragments of the mixture away. But they revolted his tongue and palate, and he paused