Page:Weird Tales v34n04 (1939-10).djvu/20

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The Witch's Cat
19

the parlor, but Gib could make out a basin on a stool by the moldy wall, and smelled an ugly pungency—Jael Bettiss had left her mixture of powdered water after last washing away her burden of false beauty.

Gib’s feline nature rebelled at a wetting; his experience of witchcraft bade him be wary, but he rose on his hind legs and with his forepaws dragged at the basin’s edge. It tipped and toppled. The noisome fluid drenched him. Wheeling, he ran back into the parlor, but paused on the doorstep. He spoke two more words that he remembered from Jael Bettiss. The lamp went out again.

And now he dashed around the house and through the brambles and to the quarry beyond.

It lay amid uninhabited wooded hills, a wide excavation from which had once been quarried all the stones for the village houses and pavements. Now it was full of water, from many thaws and torrents. Almost at its lip was parked John Frey’s touring-car, with the top down, and beside it he lolled, slack-faced and dreamy. At his side, cloak-draped and enigmatically queenly, was Jael Bettiss, her back to the quarry, never more terrible or handsome. John Frey’s eyes were fixed dreamily upon her, and her eyes were fixed commandingly on the figure in the front seat of the car—a slumped, defeated figure, hard to recognize as poor sick Ivy Hill.

“Can you think of no way to end all this pain. Miss Ivy?” the witch was asking. Though she did not stir, nor glance behind her, it was as though she had gestured toward the great quarry-pit, full to unknown depths with black, still water. The sun, at the very point of setting, made angry red lights on the surface of that stagnant pond.

“Go away,” sobbed Ivy Hill, afraid without knowing why. “Please, please!”

“I’m only trying to help,” said Jael Bettiss. “Isn’t that so, John?”

“That’s so, Ivy,” agreed John, like a little boy who is prompted to an unfamiliar recitation. “She’s only trying to help.”

Gib, moving silently as fate, crept to the back of the car. None of the three human beings, so intent upon each other, saw him.

“Get out of the car,” persisted Jael Bettiss. “Get out, and look into the water. You will forget your pain.”

“Yes, yes,” chimed in John Frey, mechanically. “You will forget your pain.”

GIB scrambled stealthily to the running-board, then over the side of the car and into the rear seat. He found what he had hoped to find. Ivy Hill’s purse—and open.

He pushed his nose into it. Tucked into a little side-pocket was a hard, flat rectangle, about the size and shape of a visiting-card. All normal girls carry mirrors in their purse—all mirrors show the truth. Gib clamped the edge with his mouth, and struggled to drag the thing free.

“Miss Ivy,” Jael Bettiss was commanding, “get out of this car, and come and look into the water of the quarry.”

No doubt what would happen if once Ivy Hill should gaze into that shiny black abyss; but she bowed her head, in agreement or defeat, and began slowly to push aside the catch of the door.

Now or never, thought Gib. He made a little noise in his throat, and sprang up on the side of the car next to Jael Bettiss. His black-stained face and yellow eyes were not a foot from her.

She alone saw him; Ivy Hill was too sick, John Frey too dull. “What are you doing here?” she snarled, like a bigger and fiercer cat than he; but he moved closer still, holding up the oblong in his teeth. Its back was uppermost, covered with imitation leather, and hid the real nature of it. Jael Bettiss was mystified, for once in her relationship with Gib. She took the thing from him, turned it over, and saw a reflection.