The Rambler/Volume 3
THE
RAMBLER.
IN FOUR VOLUMES.
VOL. III.
THE FOURTEENTH EDITION.
LONDON:
Printed by A. Strahan, Printers-Street,
For J. Johnson, G. G. and J. Robinson, W. Otridge and Son, J. and C. Rivington, R. Faulder, W. Lowndes, J. Walker, G. Wilkie, P. M'Queen, B. Collins, J. Nunn, Darton and Harvey, Vernor and Hood, Longman and Rees, Cadell jun. and Davies, Lackington, Allen and Co., Murray and Highley, Carpenter and Co., S. Bagster, and J. Mawman.
1801.
CONTENTS
OF THE
THIRD VOLUME.
| Numb. | Page | |
| 106 | The vanity of an author's expectations. Reasons why good authors are sometimes neglected. | 1 |
| 107 | Properantia's hopes of a year of confusion. The misery of prostitutes. | 7 |
| 108 | Life sufficient to all purposes if well employed. | 13 |
| 109 | The education of a fop. | 18 |
| 110 | Repentance stated and explained. Retirement and abstinence useful to repentance. | 25 |
| 111 | Youth made unfortunate by its haste and eagerness. | 31 |
| 112 | Too much nicety not to be indulged. The character of Eriphile. | 36 |
| 113 | The history of Hymenæus's courtship. | 42 |
| 114 | The necessity of proportioning punishments to crimes. | 48 |
| 115 | The sequel of Hymenæus's courtship. | 55 |
| 116 | The young trader's attempt at politeness. | 61 |
| 117 | The advantages of living in a garret. | 68 |
| 118 | The narrowness of fame. | 75 |
| 119 | Tranquilla's account of her lovers, opposed to Hymenæus. | 81 |
| 120 | The history of Almamoulin the son of Nouradin. | 88 |
| 121 | The dangers of imitation. The impropriety of imitating Spenser. | 94 |
| 122 | A criticism on the English historians. | 101 |
| 123 | The young trader turned gentleman. | 106 |
| 124 | The lady's misery in a summer retirement. | 112 |
| 125 | The difficulty of defining comedy. Tragick and comick sentiments confounded. | 117 |
| 126 | The universality of cowardice. The impropriety of extorting praise. The impertinence of an astronomer. | 123 |
| 127 | Diligence too soon relaxed. Necessity of perseverance. | 130 |
| 128 | Anxiety universal. The unhappiness of a wit and a fine lady. | 135 |
| 129 | The folly of cowardice and inactivity. | 140 |
| 130 | The history of a beauty. | 146 |
| 131 | Desire of gain the general passion. | 152 |
| 132 | The difficulty of educating a young nobleman. | 157 |
| 133 | The miseries of a beauty defaced. | 163 |
| 134 | Idleness an anxious and miserable state. | 169 |
| 135 | The folly of annual retreats into the country. | 174 |
| 136 | The meanness and mischief of indiscriminate dedication. | 180 |
| 137 | The necessity of literary courage. | 186 |
| 138 | Original characters to be found in the country. The character of Mrs. Busy. | 191 |
| 139 | A critical examination of Samson Agonistes. | 197 |
| 140 | The criticism continued. | 204 |
| 141 | The danger of attempting wit in conversation. The character of Papilius. | 211 |
| 142 | An account of squire Bluster. | 217 |
| 143 | The criterions of plagiarism. | 224 |
| 144 | The difficulty of raising reputation. The various species of detractors. | 231 |
| 145 | Petty writers not to be despised. | 236 |
| 146 | An account of an author travelling in quest of his own character. The uncertainty of fame. | 241 |
| 147 | The courtier's esteem of assurance. | 247 |
| 148 | The cruelty of parental tyranny. | 252 |
| 149 | Benefits not always entitled to gratitude. | 258 |
| 150 | Adversity useful to the acquisition of knowledge. | 264 |
| 151 | The climactericks of the mind. | 269 |
| 152 | Criticism on epistolary writings. | 275 |
| 153 | The treatment incurred by loss of fortune. | 280 |
| 154 | The inefficacy of genius without learning. | 287 |
| 155 | The usefulness of advice. The danger of habits. The necessity of reviewing life. | 293 |
| 156 | The laws of writing not always indisputable. Reflections on tragi-comedy. | 299 |
| 157 | The scholar's complaint of his own bashfulness. | 304 |
| 158 | Rules of writing drawn from examples. Those examples often mistaken. | 310 |
| 159 | The nature and remedies of bashfulness. | 315 |
This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago.
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