The Sacred Tree

​THE SACRED TREE

​SEVERAL critics have asked to be told more about the writer of the Tale of Genji. Unfortunately little is known of Murasaki's life save the bare facts recorded in the first appendix of Volume I. What other knowledge we possess is derived from her Diary, which will be discussed in a later volume and is meanwhile available in Mr. Doi's translation. Reviewers have also asked for information concerning the state of literature in Japan at the time when the Tale was written. This I have supplied; and I have further ventured upon a short discussion of Murasaki's art and its relation to the fiction of the West.

I have been blamed for using Catholic terms to describe heathen rituals. My reason for doing so is that the outward forms of medieval Buddhism stand much nearer to Catholicism than to the paler ceremonies of the Protestant Church, and if one avoids words with specifically Catholic associations one finds oneself driven back upon the still less appropriate terminology of Anglicanism. Thus 'Vespers' is a less misleading translation than 'Evening Service,' though the latter is far more literal.

Finally, I have thought it might be of interest to give a few notes concerning the transmission of the text.

Volume III is finished and will appear shortly.

Note on Pronunciation.—The G in 'Genji' is hard, as in 'gun.' Vowels, as in Italian.

GENJI is an illegitimate son of the Emperor; his mother dies soon after his birth. At the age of twelve he is affianced to Lady Aoi, the daughter of the Minister of the Left; but she is older than he is, and looks down upon him as a mere schoolboy. Years go by and they are still upon indifferent terms. Meanwhile Genji falls in love with Lady Rokujō, a widow eight years older than himself. She is passionately jealous of his wife (whom, however, Genji hardly ever sees) and relations with her become very difficult. Genji turns for consolation to Utsusemi, wife of a provincial governor: to Yūgao, a discarded mistress of his great friend Tō no Chūjō: to the fantastic Lady Suyetsumuhana, the ‘lady with the red nose.’ Utsusemi is carried away to the provinces by her husband; Yūgao dies, withered by the virulence of Rokujō’s jealousy. Meanwhile Genji manages to establish better terms with his wife, Aoi, only to lose her through the operation of the same baleful force that had destroyed Yūgao. Since his childhood Genji has had a passionate admiration for Lady Fujitsubo, his father’s second wife and therefore his own stepmother. He has a son by her which is believed by the world to be the Emperor’s child. Had this misdemeanour became known, Genji’s enemies, led by Lady Kōkiden who had been his mother’s rival, would have had an ample pretext for driving him away from Court. As it is, the actual cause of Genji’s banishment (recounted in Vol. II) is his intrigue with ​Oborozukiyo, a much younger sister of his enemy, Lady Kōkiden.

At the end of Vol. I, Genji marries, en secondes noces, Lady Murasaki, a niece of Fujitsubo, whom he had some years before taken into his house and adopted.